GIOTTO S PAINTINGS AND HIS IMPACT ON THE RENAISSANCE STYLEGiotto di bondone was born in the lineage of study 1267 and was among one of the great Italian painters active in Florence . He was born in a gen epochtion where snarled and gallant art flourished . Byzantine artwork and characterisation was characterized by emblematic art with two dimensional forms The work lacked any magician in it and was un vivid . The painters of the time were more concern with the ghostlike essence of the paintings . During this time most paintings were of a religious headliner and the painters were more interested in invoking religious actions from the viewers or else than making them realistic (Alice , 1914The conversion style of art was an epoch of beautiful artwork and structures . The painters of the era were more expressive and grotesque with their designs (Bernard , 1953 . Renaissance art was an phylogenesisary art from the two dimensional symbolic arts of the Byzantine period . The subject instruction out had changed from religious based paintings to paintings that were more foc drilld towards the people and their activities . The techniques had besides vastly changed with the introduction of anatomy in the skills of the painters hence the portrayal of the hu homo beings was more realistic . The painters were in addition concerned with creating realistic paintings as opposed to the Byzantine painters who cared less for public . The reincarnation painters wanted to make beautiful paintings Despite the detail that metempsychosis art was practiced over a cytosine later Giotto , he is termed as the interrupt of the renaissance . This is because the evolution to the renaissance was during the period 1350- 1550 (Bernard , 1953Giotto broke the impersonal styles of the gothic and Byzantine painters and introduced sassy ideas of naturalism ,! humanity , three dimensional place and also three dimensional forms (Craven , 1931 . As early as when he was 12 , it is said that he was spotted by Cimabue sketching his tyro s sheep on a flat rock .
Cimabue find his more or less natural picture and approached his stupefy and he took Giotto as his scholarly person of painting (Matthew , 1923 . Giotto was the founder of the innovations of the renaissance period much(prenominal) as the perspective , aliveness like human forms and the realistic flavour objects . Giotto was the one who dictum that when pictures are drawn on a flat airfoil , to create perspecti ve the pictures that were supposed to be close should be drawn bigger in size that the ones in the compass (Alice , 1914 . Therefore he spearheaded the renaissance use of perspective and the celestial horizon by taking Italian painting from medieval asceticism to renaissance realismGiotto was keen on victimization observation of reputation to learn about art . thereof his paintings emphasize study characteristics of modern art works (Bernard , 1953 . His event to the environment and the disposition around him enabled Giotto to produce works that seemed hot . He is original as being the first man to put such ideas on canvas . The renaissance painters who came afterward him used his slipway of using nature as a teacher...If you want to depart a full essay, order it on our website: BestEssayCheap.com
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