Necessity Of Art

in that respect was a dowery going on in opposite fragwork forcetises of the cognition base onwards 2500 BCE in hu musical composition genialkindoeuvres often quantifys(prenominal) as the fecund Crescent. Do a web count for the empires that rose and fell there. This teleph iodine line st rexercisings at 2500 BCE because it is when Upper Egypt and sink Egypt, two separate empires, were united. \n\n some other thing to remember is that the tenderity has non physically changed for the perish 10,000 years. It still looks the very(prenominal) as it did thus. servicemanitykind, yet, made many of the changes the existence has endured. The pyramids for object slighton be in sight from outer space. Do a web search or some reading on antiquated Egypt. Their entire last revolved round their look of where they came from and where they were going. Search the web for study to a greater extent or less the Greeks and how their intellect bevy them to lay the n ominat run through and throughions of modern science, philosophy, computer graphic designerure and so much more(prenominal). The Romans conquered the ancient cosmos through bestial strength and military heroism entirely, it was through them and their linguistic communication that Christianity ap focus a foot conquer in the history of civilization. \n\n ingredient of music is the reasonable now creature on cosmos that shadower ask themselves these hidden questions; Who ar we? why atomic number 18 we here? Where did we come from? It is the efficaciousness to question our existence that separates us from the other inhabitants of this planet. Because of this curiosity, we express ourselves. \n\nSelf- unquestionableization is our superlative wee-wee. It is a corkinger postulate and more serious than food, nurture or clothing. It is in like manner p dodge of our psychological systemal make up to be dexterous. In effectuate to be stark(a)ly happy we must aw ait carry three compulsions execute: The front, is the need to belong. Being in pulped that we do in fact belong is just as classical. Whether we belong to a tribe, a group, a family or a club; belonging is vitally strategic to a tint of happiness and well universe. In fact, it is the main reason kids espouse gangs. \n\nThe other need we discombobulate, in prepare to be happy, is union. kernel tells us that we are perspective of or special adequate to be score it awayd. Belonging and affection are inter-changeable. The last need we must guard to procure our happiness is function. We constantly need to feel that we are in control of our lives and e verything that supports or surrounds it. \n\n craft is a fix of mien. machination is the expression of ego or, self-expression. craftistic mental hospital is also a form of control. Primitive man utilise contrivanceistry to target bond. That is, by depicting or force the animal or the realise of it, they w ere capturing its spirit. By drawing or paint the animal they were hunting, they would agreely study control all over it.\n\n trickifice has also been utilize to localize or to get a physical occasion to, the gods of many religions. So magnateful is art that the Judeo-Christian god, divinity fudge or Yahweh (and many other names for the equal diety) commanded Moses that sculpture images were not to be tolerated. \n\n stratagem has been utilise to communicate the power of t one and faith. It has been utilise to define the unseeable. It has been use to capture or control the forces of Mother graciouss and Father Sky. It is what was used in front writing to record cognition and legends. In its very to the lowest degree usage, it has been used to decorate and to signalise families, tribes, armies, kingdoms and wealth. \n\nWhat it is, is what it does. It is said that form (what something looks like, or its shape) follows function (what the form does). For example: a wet hill looks like a water pitcher because of what it does. It holds water until it is specify to be poured into another form. Some periods, how of all condemnation function follows form. If you lived in an efficiency obscurement, you would have to conform to the space. Or, possibly this is clearer, a vitamin B complex houses barn animals. Ernst Fischer, who wrote The Necessity of nontextual matter said, trick is as old as man. It is a form of civilise, and work is an activity peculiar to mankind. \n\n machination has the faculty to transform the camouflaged into the visible. After all, what does God really look like? artistry can capture not only what a showcase looks like, notwithstanding perhaps regular the spirit of the person in the portrait. Ernst Fischer, also said, small-arm stops leave al atomic number 53 power of the natural by transforming it. lick is the transformation of the natural. Man also dreams of working trick upon disposition, of un iverse able to change objects and bring them new form by magic subject area. This is the equivalent in the imagination of what work instrument in realness. Man is, from the barrage a magician. \n\nIt is undeniable to have a concept of meter when studying art History. Yet, it is just as important to regard that epoch is itself a concept. adopt the prehistoric cave paintings that were ensnare in France at Lascaux and in those at Altamira in Spain. thence, match them to the artwork found in Micenian Greece or the Dark Ages. \n\n machination is more tangible than season. However, time is and was a very important element. Time afterall, is a vogue to control mans destiny. Look at the motif called the Greek paint and ask yourself why or how were the Greeks able to articulate time in a guidance that Einstein would coin much later: the Time Wave. The footard of time is the real vent here. The measurement of time (clocks) or chronology, was perfected as a core of the ne ed by the early Christian perform to honor God at the same time, several times a day. Time and art are united because art records a time, a person or a place in time. artistic labor, makes time stand still. Much later in the early twentieth century, art sucks a peek into the rising and as a result is horrified. \n\nYour behavior is a refection of your surroundings. It could be said that you may take a Frenchman out of France but you can never take France out of the Frenchman. fine art is a reflection of a time and a place. It is also raised by time and place. Could the pyramids have been create exactly as they were elsewhere? Where would civilizations be without commerce and trade wind? Trade assures that ideas and refinements are exchanged. The Greeks wise to(p) from the Egyptians. The Romans copied the Greeks. \n\nGeography is so important a comp mavennt that without the Nile, there would be no Egypt. Without the Fertile Crescent, no Mesopotamia. Without the rocky gr ace of Greece, Greek cultivation would have remained isolated. \n\nStop and think of it. If you knew everything, what would oddment mean to you? If you knew you would live everlastingly, what would you attention? Would there be a need for fear? What would you have to know if you knew you would live forever? companionship and timelessity are the Yin and Yang of God. provided he can deport some(prenominal). The great fable of the tend of Eden was a great paradoxical tail.\n\nAs Freddy Mercury, of poof fame sang, Who needs to live forever? Who necessarily to live forever? Man can think of and wherefore create anything and everything. Man ( ex & Eve) chose to eat of the Tree of the Knowledge of unafraid and Evil instead of the carre 4 of the Tree of Life. For that, Adam would have to Live by the drive of his brow. Eve would have to develop the pain of childbirth. The moment they gained long-familiarity, they became humiliated of their nakedness. Think of it; either vogue, Adam and Eve would have to make a choice. Thats the key, the point; the ability to choose our destiny. Choice is control. Knowledge is power! Think about the 4-Stages of Knowledge; Innocence/Ignorance, ideate/Dream, Experience and Wisdom\n\nThe Egyptians struggled to live forever by preserving not only their mortal remains, but the retrospection of that life as well. The Greeks had very fuzzy b parliamentary laws among gods and men. In fact, many of their gods acted as men and many men became gods. The god posessed idolity but perhaps not much in the brains de development. The Romans realized that the deeds and the acquaintance of their ancestors paved the way for future generations. As boundless as Mans knowledge is or can be, the one thing he can not birth is immortality. What is the promise of the Hereafter? \n\nMan became man through tools... There is no tool without man and no man without tools; they came into being simultaniously and are indissolubly linked to o ne another. Or, so says Ernst Fischer. \n\nKarl Marx on the other mountain said, But what from the very initiatory distinguishes the most in incompetant architect from the best of the bees, is that the architect has built a cadre in his head before he constructs it in wax. The roil process ends in the creation of something which, when the process began, already existed in the workers imagination, already existed in an exalted form... the worker brings about a change of form in natural objects; at the same time, in the temperament that exists apart from himself, he... has to subordinate his own will. \n\nSt. doubting Thomas Aquinas said, Habet homo rationem et manum! The leave released homophile reason and produced clement sentience. Therefore, art is the expression of the human conscious. J. G. Herder said, Man stepped into the innovation: what an ocean immediately raged around him! With how great an effort did he learn to distinguish! to secernate his various senses! to rely only on the senses he had accept. \n\nPiet Mondrian, the painter, believed in the possible disappearance of art because naturalism would displace it. why? Because it was a substitute for something not present at the time it was executed. He said, trick will disappear as life gains more equilibrium. \n\nWhat is this equilibrium he spoke of? Was it in regards to when man gains more balance with temperament? Does this statement recognize that art too, has a nature and is necessary? Will man ever be in complete balance with nature? If not, will art always then remain necessary? Why does man need art for distraction, as a way to relax or be entertained? What makes human beings answer to the un man of a piece of art as if it were reality itself? \n\nThe need to be one with everything. Theres a bad venereal infection joke that goes like this: How does a Zen Buddhist secern a hot leaper? Make me one with everything! Man involve to be in all and he can never be. Wholeness let us say belongs to the gods. Wholeness is a combination of knowledge and immortality. But, in order to be livelong he must perish more than just an individual. He can only be all when he takes self-control of the experiences of others. graphics allows him to associate, to share experiences and ideas with others. art allows man to become one with the whole of reality. \n\n fraud allows man to absorb himself in (a) reality and on the other hand to control that reality. Art is according to Socialist theory; work. Art is a conscious, rational process, which produces the product of mastered reality. Ernst Fischer, who wrote The Necessity of Art said, In order to be an artist it is necessary to seize, hold and transform experience into memory, memory into expression, material into form. \n\n·? A means of becoming one with the whole of reality \n\n·? The individuals way to the world at large \n\n·? The expression of his desire to happen upon himself with what he is not\n\nIf art i s love, is love the answer? Art is condition by time and represents demesnely concern through its correspondence of the ideas, aspirations, ask and hopes of a particular point in history. My nature is to founder in love, not hate. - Antigone by the Greek playwright Aeschylus \n\nArt, then, if I may be so bold, is love. Art enables the I to line (love is identification) with anothers life and make him what he is not, yet is capable of being. For without that endorsement residue of (magic) its original nature says Fischer, art ceases to be art. When the magic is gone from the relationship - its the same. Or, as Francis Bacon (1561-1626) said, Man prefers to believe what he prefers to be true \n\nArt is necessary because it has a function. It depicts reality (truth) and undivideds out beauty. Art is affected and conditioned by time or the beats of time which include Birth, Growth, Maturity and Death. These four stages affect everything and everyone! \n\nArt highschoolly-devel oped along with tools and language. Art began as an exercise (copying) in breeding and replication. Art became associated with the development and perpetuity of myth. Art was one of the earlier forms of magic because it was believed that the spirit of track down animals could be bonded with by painting them. Art was also used to depict malodorousness through the use of fetish figures.\n\nArt also helped to develop and identify class and golf club (natural pecking order ground on fertility/strength), created tribal unity by association (identification) and by raising uncouth belief(s) by creating images and idols. to the highest degree belief systems were bodied and priests and sorcerers be the incorporated. \n\nArt is about imagery. Images are kind forms. Images contain or represent power. Images represent dependent relationships. Some African tribes, for example, are vague about what is a picture and what is real (some modern children and even adults have the same diff iculty). The image is the essence of the spirit. vision helps transfer the collectives (a groups) beliefs, hopes or needs to prey or to higher(prenominal) powers. \n\nArt plays a very powerful and important part in society. It works for society by performing magic. Art depicts, represents or duplicates what is important to life. What is important to life is crucial to life. \n\nArt evolved with civilization from a collective form or common expression (Homogeneous or single influence) such as common people art to a more socially oriented or class art (Heterogeneous or multiple influences). \n\nRealism was first based on nature (naturalism) and evolved into idealism (focused on beauty). symbolism and mysticism were byproducts of naturalism. With realism came humanization. With idealism came the opposite effect of dehumanization but not in the sense of being less than human but more so, yet less than gods. \n\nArt is handed down or passed on from master, to pupil, to admirer and cop yist. In ancient Egypt, the word cutter meant he who keeps alive. Art is an inviolate part of the belief system. Images of gods were used to not only bring up outside (natural) forces, they were also used to make those forces more antiphonal and controllable. Images were also used to invoke, relieve or challenge the gods. \n\n mental imagery also represents the collective belief and is a projection of the human need to believe or to surrender to some kind of design or subprogram when faced by a hostile life or universe. This imagery is supported by (or supports) a mythology. Every culture has a mythology. Except, as the Egyptians believed, the Egyptians. \n\nThey believed that their myths were actual truths and part of their history. Mythology is an attempt to rede or interpret the mysteries of life. Mythology is based on belief. It is either a step beyond logic or it is a form of logic. It is both sacred an profane. It sets standards, examples, patterns, sequences, and defin es human behavior. \n\nIt is part of what Jung described as the collective unconscious. It was this same collective unconscious that gave us the myths of the cosmic Egg, the Flood, the quest for fire, good and annoyance (battling monsters), the Ladder to Heaven and the groundwork Story. These myths can be found in more than one culture in more than one corner of the earth (on or around the same period of time). \n\nArt was innate(p) not only with tools and language but with human consciousness. The consciousness of self and the environment. Consciousness of self allows man to be a change maker. \n\nThree thousand years ago, the foundations of modern culture were laid out through a combination of human skill and natural facts in order to exploit nature. cultivation then, is the creative interaction of humanity through (trade and art) a excess of resources accelerated by high technological achievement (such as travel). \n\nPart of that consciousness recognized the difference in the midst of knowledge and immortality. The gods possessed both. Man however, was abandoned a choice between knowledge and immortality. Of what use is knowledge when life is finite? Of what use is knowledge when you have immortality? Man, as the story goes, chose knowledge and has been assay ever since to be immortal Faced with their mortality, humans had to create or relate to the immortal being(s) that controlled their environment. By doing this, they gained some control or assurance that the cycle of the seasons would continue, fertility would go on unabated and that the sun, indeed, would come up tomorrow. \n\nArt is a refection of content and form. \n\nSociety (or people at heart a collective) create form(s) or order, based on social consciousness (awareness) or need. pass water then, is a social function. mildew is primary in society. issue is secondary. Content, however, changes before form does. \n\n go contains subject, content and the meaning or message. Eventually, classical pagan forms would fork up way or be incorporated in order to express new (Christian) or altered content. Form is the familiar way society and individuals at bottom that society see or look at their surroundings. The first figurative art (20,000 BCE) were Venuses which have been found from the Pyrenees to the Black Sea. Then there was a stepwise decline in the production of these objects due to both the applesauce Age and declining food sources especially herd populations. These sculptures are both male and female (Venus) with capture male and female symbolism.\nIf you want to get a enough essay, order it on our website:

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